Tue–Sun 11am–6pm

Review

VIER AKTIONEN

February 14, 2025, through July 27, 2025

VIER AKTIONEN, Exhibition Views, WIENER AKTIONISMUS MUSEUM, 2025, Photos: Manuel Carreon Lopez © Bildrecht, Vienna 2026

Günter Brus, Silber, 1965
Otto Muehl, Mama und Papa, 1964
Hermann Nitsch, 3. Aktion (Fest des psychophysischen Naturalismus), 1963
Rudolf Schwarzkogler, 4. Aktion, 1965

Vier Aktionen in Detail

With its second exhibition, the WAM delved deeper into the subject. The opening exhibition, WAS IST WIENER AKTIONISMUS?, had initially provided an overview of the multifaceted developments of this movement in the 1960s, presenting the individual actions only through representative photographs. Now, under the title VIER AKTIONEN, a series of exhibitions began that presents selected actions along with all available historical materials. This made it possible for the first time to trace the events in all their rich detail. The aim of the exhibition was to open up new perspectives on the reception of Viennese Actionism by shedding precise light on individual actions.

Photographs and the Sequence of the Actions

On display were all available photographs of actions from the first half of the 1960s: Günter Brus, Silber; Otto Muehl, Mama und Papa; Hermann Nitsch, 3. Aktion (Fest des psychophysischen Naturalismus); and Rudolf Schwarzkogler, 4. Aktion. The sequence of events—or the individual scenes—was also described in words, thereby revealing their complexity in terms of content

Photography as an Image in Its Own Right

By showcasing works by various photographers, the exhibition also shed light on the role of photography. Among other things, it demonstrated that the artists each selected their own specific details from the raw material of the images. The juxtaposition of uncropped and cropped subjects, as well as the artists’ use of these—for example, in collages or as motifs for invitation cards—provided insight into their visual thinking.

Film and Documentary

The moving images captured during the performances once again demonstrated that the filmmakers—unlike the photographers—did not comply with Brus, Muehl, Nitsch, and Schwarzkogler’s wish for their performances to be depicted as documentarily as possible.

Preparatory Work and Aftermath

Not least, the exhibition featured the artists’ preparatory work, sketches, scores, and written reflections, as well as their subsequent reflections and, in some cases, published works. The exhibition was supplemented by published press articles.

Curators:
Eva Badura-Triska
Marcello Farabegoli
Roman Grabner
Julia Moebus-Puck
Pascal Zoss

Weihburggasse 26
1010 Vienna, Austria

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Tuesday to Sunday
11.00 am – 6.00 pm
Closed on Mondays

Single ticket: €13.00, reduced €10.00

Reduced Admission
Available to visitors aged 65 and over, students, apprentices, people performing civil or military service, and people with disabilities

Free Admission
Children and young people under 19, Kulturpass holders, and ICOM members

€5 in addition to the regular museum admission
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Public transport:
U1 (Stephansplatz)
U3 (Stubentor or Stephansplatz)
U4 (Stadtpark)
Linie 2 (Weihburggasse)
3A (Riemergasse)

Parking:
Please note that parking spaces at the building are extremely limited. There is a multi-storey car park within walking distance of the museum.

Current Exhibition
OTTO MUEHL
ART AT THE ABYSS
10. 9. – 10. 1. 2027